ImageTexT: Interdisciplinary Comics Studies is a web journal dedicated to furthering comics scholarship in a variety of disciplines and theoretical perspectives. Access to ImageTexT is provided free of charge by the Department of English at the University of Florida. All authors retain copyright of their essays, and all images are protected by original copyright holders. No part of this issue may be republished or reprinted without the permission of the individual authors. Viewing essays and images requires agreeing to our terms of use.
| Welcome | Stephanie Boluk |
Artists |
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| Theological Compatibilism & Animation: Vessel of Wrath | Nathan Gilder |
Articles |
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| Beyond the Balloon: Sound Effects and Background Text in Lynn Johnston's For Better or For Worse | Suzanne Covey |
| Ecofeminist Themes in Paolo Eleuteri Serpieri's Morbus Gravis | Matthew Jones |
| The Tides of History: Alan Moore's Historiographic Vision | Sean Carney |
| Gothic Oedipus: subjectivity and Capitalism in Christopher Nolan's Batman Begins | Mark Fisher |
Reviews |
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| Review of Superman on the Couch: What Superheroes Really Tell Us about Ourselves and Our Society | James R. Fleming |
| Review of Raeburn's Chris Ware | Emma Tinker |
| "Old Comics and Current Technology Combine to Form New Hybrids", Review of 40 Years of The Amazing Spider-Man and 44 Years of Fantastic Four | James Bucky Carter |
| 2005 Comic-Con Shines a Light on Eisner: A Look at Two Documentaries and a Tribute | Vanessa Raney |
Colophon |
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| Notes on Contributors | |
| Future Issues | |
All content is (c) ImageTexT 2004 - 2018 unless otherwise noted. All authors
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ImageTexT is published by the Department of English at the University of Florida.